Yes, you can switch from one type of music publishing deal to another, but it typically requires fulfilling the terms of your current contract or negotiating a buyout. Consult with a music attorney to understand the implications and ensure a smooth transition to a new publishing arrangement.

Yes, royalties are required for music played on podcasts. Podcasters must obtain proper licenses from rights organizations like ASCAP, BMI, or SESAC. These licenses ensure that songwriters, composers, and publishers are compensated for the use of their music. Failure to secure licenses can result in legal consequences.

A 360 deal involves a record label receiving a percentage of an artist’s revenue from multiple streams, including music publishing. This means the label earns from songwriting royalties, in addition to album sales, tours, and merchandise, integrating all aspects of an artist’s career into one comprehensive contract.

Yes, you can receive royalties for music played in retail stores. Performance rights organizations (PROs) like ASCAP, BMI, and SESAC collect fees from businesses and distribute royalties to songwriters, composers, and publishers. Ensure your music is registered with a PRO to receive these payments.

Performance Rights Organizations (PROs) typically distribute royalties quarterly, meaning four times a year. However, the exact schedule can vary by organization. For example, ASCAP and BMI in the U.S. follow a quarterly distribution, while other PROs might have different schedules. Always check with your specific PRO for precise details.

Royalties for music in video games are typically paid through licensing agreements. Composers or rights holders receive payments based on usage terms, such as a flat fee, per-unit sold, or revenue share. These agreements ensure creators are compensated for their work when their music is featured in a game.