Public performance royalties are earned when music is played in public venues like radio, TV, or live events. Digital performance royalties are generated from streaming services and online platforms. Both compensate artists and rights holders, but digital royalties specifically address the use of music in digital formats.

Performance music royalties are distributed through Performance Rights Organizations (PROs) like ASCAP, BMI, and SESAC. These organizations collect royalties from venues, broadcasters, and streaming services, then distribute payments to songwriters, composers, and publishers based on usage data and licensing agreements. This ensures creators are compensated for public performances of their work.

Performance music royalties are typically entitled to songwriters, composers, and music publishers. These royalties are collected by performance rights organizations (PROs) like ASCAP, BMI, and SESAC, which then distribute the earnings to the rightful owners whenever their music is publicly performed, broadcast, or streamed.

Performance music royalties are calculated based on factors like the type of performance (live, radio, streaming), the size of the audience, and the frequency of plays. Performing Rights Organizations (PROs) collect data, apply their specific rate structures, and distribute royalties to songwriters, composers, and publishers accordingly.

Performance music royalties are collected by Performance Rights Organizations (PROs) such as ASCAP, BMI, and SESAC in the United States. These organizations monitor public performances of music, including radio, TV, and live venues, and distribute royalties to songwriters, composers, and publishers based on usage data.

Performance music royalties are earned when a song is publicly played, such as on radio, TV, or live venues. Mechanical royalties are earned when a song is reproduced, like on CDs, vinyl, or digital downloads. Both compensate songwriters and publishers but differ in the method of distribution and usage.